Learning to Draw, Loving the Tradition

The tradition of learning always amazes me. Sometimes I forget, and sometimes I am reminded. Like yesterday. Chris Seaman, one of the authors of Wreaking Havoc, forwarded to us at IMPACT a couple pieces of art created by budding artist, Jordan, age 12. (In case you haven’t heard, we LOVE getting art from readers.)

This morning, while emailing back and forth about how COOL these drawings are, I recalled an interview I did with John Howe when I first started with F+W Media (then F+W Publications), IMPACT Books’ parent company. The interview was for Artist’s & Graphic Designer’s Market.

(In the interest of full-disclosure, I’ll tell you I’ve referenced this interview several times recently, on different occasions, for different reasons. I love it when something gives me a lot of mileage…but I do worry about the horse. Ahem.)

 

Jordan’s first sketch is from Chris Seaman's WREAKING HAVOC gnome.

Jordan’s first sketch is from Chris Seaman's Wreaking Havoc gnome.

 

In the interview, John said:

“The deeper you throw yourself into copying someone else’s work, the faster you get through it and identify the elements which may eventually become part of your own way of approaching things. It’s a tradition that’s been going on for millennia. You’re trying to understand another’s work and the only way to understand is to try to do it. I must’ve copied millions of things when I was in my teens.”

 

 

 

I love that Jordan did the gnome, then seemed to take the stuff she really wanted to use—like the armor decoration for example—and put it to use with her own creature. Perhaps that’s all learning is—whether it’s drawing or writing or whatever. We see or hear something we like. We emulate it. And we should emulate it, at least for a while.

Jordan’s second sketch is her own creation.

Jordan’s second sketch is her own creation.

John explained it like this:

“You’re looking for yourself somewhere. You’ve identified something that you think you can use. You need to try it and you need to make it your own. Imagine a road. You see a section of it way up ahead—because someone else has been drawing for ages and they’re professionals with all these techniques and gimmicks an gadgets. You get a glimpse long before you could get there by cutting through the woods yourself. Now you can forge on.”

So forge on, Jordan. You drew the gnome, then discovered how to take elements from that drawing and incorporate them into your own. Who knows what you’ll discover tomorrow? 

To read the entire article, originally published in 2004 Artists’ & Graphic Designer’s Market, click here.

 

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Chris Seaman, Chuck Lukacs, Fantasy and Sci-Fi, General, IMPACT Authors, Jim Pavelec, John Howe, Other Cool Art, Traditional